One last self-indulgent post about “The Chosen,” then I promise to move on.
When a story bounces around in your imagination for over three decades, you’re bound to develop several ideas about that story. And if you’re smart, you’ll write down at least some of those ideas. Somewhere in the dusty bins of my memorabilia, I have extensive material about “The Chosen” — character sketches, political and religious histories, plot summaries, even some maps and crude caricatures — that I considered digging up last month when I became inspired to start the project at last. But at the time, I was a few days from beginning a long journey, and I knew finding all that material could be a frustrating task. Made the decision to just go with my instincts, and find my notes later; I’m entirely satisfied with that decision.
Yet as I look ahead to that unspecified time when I pick up the story again, I realize I need that material. While I like what I did with the first two chapters, I fully realized while writing that I was leaving out a great amount of detail. Countries and cities are named and there’s an allusion to a budding colonial revolution, but there’s little backstory; there’s a reference to a religious schism, without any context; all the characters conveniently speak the same language. I decided not to address these problems when drafting the first two chapters, but going forward I realize these issues need to be resolved.
Part of the appeal of the high fantasy genre is the creation of fascinating new worlds — similar to ours, but engagingly different as well. When I read good fantasy, I feel like an explorer, discovering an alien land that I don’t want want to leave. It’s an experience evoked by the introduction to “Star Trek,” a classic of space fantasy:
To explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before!
I want the reader to have that same experience when reading “The Chosen,” but that experience can only come through a meticulous attention to detail. Consider two classics of medieval fantasy, “Lord of the Rings” and “A Song of Ice and Fire” — the historical backstory in both epics is staggering. And the languages! Tolkein’s Elvish, Martin’s Dothraki, and yes, the Klingon of “Star Trek” — if authors can create an entire new language, how can their readers not think they’ve entered a new world?
So before I start chapter three, I need to dig up those old notes, and have a good deal of additional work to accomplish. There are lands to create! History to craft! Maps to draw! Languages to birth! And most important of all, characters to bring to life!
Yeah, I need to get busy before coming back to “The Chosen.” But I’m going to enjoy the work. And I’ve got a feeling that when I do get back to that story, what comes out is going to be pretty cool.